粵曲粵劇趣味話題 (卷一）

粵曲粵劇趣味話題 (卷一）

日期：2015/04/26 22:55
留言者：KC

(微笑) 通常網上討論，好易談興正濃離了題！又來不及去談天說地版設題！不如就開個廣濶的題目！
任大家隨意發揮吧！ (表情33)
（出貼日期：2012年10月21日）上面日期乃本貼修改過的日期！

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Re: 粵曲粵劇趣味話題 ( No.3025 )
日期：2013/05/30 00:14
留言者：麥友成

TL老兄所言大多中肯合情理,深入淺出不弄玄虛,我.......佩服。 (表情7)

Re: 粵曲粵劇趣味話題 ( No.3026 )
日期：2013/05/30 03:20
留言者：tt

愚見，唱曲自然就好。 (表情33)

Re: 粵曲粵劇趣味話題 ( No.3027 )
日期：2013/05/30 05:49
留言者：TL

(表情6) 舞台藝術，首先就要傳遞一種美，即藝術美。現實中的醜也要經過藝術的昇華呈現美的形態。死人都要靓，此之謂也。所以說失去美感，便失去了藝術的第一意義。
我與麥兄玩的是同一種樂器，可惜無緣一面。 (表情21)

Re: 粵曲粵劇趣味話題 ( No.3028 )
日期：2013/05/30 07:36
留言者：辛奇士

TL兄：

戏曲一事，似浅实深。您讲既唱情，有D曲友(甚至导师)误解为有无野唱，即1.编排是否丰富(特别系小曲系唔系好听、易唔易唱)；2.够唔够悲(起码生离或者梦会，死别更佳)；3.够唔够长，越长越正。

(表情25) (表情20)

Re: 粵曲粵劇趣味話題 ( No.3029 )
日期：2013/05/30 08:26
留言者：Kc

(大笑) 早晨！早晨！

新的一天！今日上深圳操曲！

今日操沈三白上下卷！

古渡離愁！

泣血水繪園！

又係生離死吖別！

至於感不感人？

見仁見智囉！

操曲娛己多過娛人！

出騷就又娛己，又想娛人！ (表情34)

Re: 粵曲粵劇趣味話題 ( No.3030 )
日期：2013/05/30 09:44
留言者：TL

(好!) 辛兄：切入之角度有異，觀點之指向相同。
(好!) 阿甲所言，切中中華美學神髓。大師實至名歸，誠不欺世。

Re: 粵曲粵劇趣味話題 ( No.3031 )
日期：2013/05/30 13:41
留言者：tt

粵曲粵劇趣味話題 Kc 3018 97497 2013/05/30 09:44
嘻，見到97497，算唔算好號碼？
(表情35)

Re: 粵曲粵劇趣味話題 ( No.3032 )
日期：2013/05/31 00:57
留言者：辛奇士

九七大限平安度过，久发又在望，好快十万大山等闲越！如果十万後归零总觉遗憾。

(拍掌) (表情22)

Re: 粵曲粵劇趣味話題 ( No.3033 )
日期：2013/05/31 01:20
留言者：老三

老三又比雷公劈......死左部电脑呵！

打雷，老三當然懒鬼理啦，但大陆打雷，却不同人咁品！

几年来，老三在大陆比雷公總共劈死左一部千几蚊的须刨，一部千几蚊的小喇叭，二部電腦主機。今次更咵張，火牛、主板、硬盘全部烧晒....，修无可修...。

今天晚上返港，才又方便上来吹水...。

Re: 粵曲粵劇趣味話題 ( No.3034 )
日期：2013/05/31 07:32
留言者：Kc

(大笑) 早晨！早晨！

歡迎老三兄，再現江湖！

明晚又是街唱之期，天氣又轉晴！

大家網友又有緣見下面了！

有乜嘢好得過，喜見眾人無恙！

歌聲響亮！

正吖是：不需旁人說短長！

老三賢兄有主張‧‧‧‧‧‧‧呀耶！ (表情23)

Re: 粵曲粵劇趣味話題 ( No.3035 )
日期：2013/05/31 10:42
留言者：青玉案

辛奇士先生:

在(2990) 你說風雪訪情僧中生旦唱工有大差距是有段古的. 我等了幾日都沒有下文.
是否被亞立先生刪去了, 或者是橫生”波折”, 不再有古仔聽了?

兩月前有人話要講講唐健垣先生是如何冇先天, 冇技術, 無韻味, 結果又變了靜呀, 靜悄悄!

“X紫嫣紅開遍” 一書, 有篇文章作者署名辛其氏, 相信和你是同一人, 對嗎? 依俙記得亞立先生提過你為粵曲大全提供撰曲人名字. 真是功德無量. 我聽或唱任何粵曲, 首要是曲詞寫得好和合情理, 文字不好, 其他是白費功夫的!

手上剛巧有兩首粵曲附有撰曲人名字, 一個是潘一帆, 曲名是贈髮系郎心. 另一個是葉紹德, 他是寶玉訪香環作者. 你可以填補在空白了的撰曲人格子上. 事實上很多人根本不會理會這些. 蘇翁作品, 很多甚為熱門, 但有多少人知道白龍關是他撰寫的或在乎?

何非凡把聲靚絕, 可惜袖珍了點. 老倌件頭細, 擔不起戲服, 便瀟洒不起來. 他扮演的情僧和狂僧角色, 基本上都是只得十多歲的小兒郎. 當然雙仙拜月亭, 白兔會, 和百花亭贈劍都是佳作, 但和他合作的吳君麗, 也是非常嬌小的式. 換過別的花旦拍擋, 是高頭大碼形的話, 這幾部名劇都會減了光芒的.

假如任劍輝身高短了幾吋, 丰神俊朗, 玉樹臨風, 儒雅風流, 這些形容她扮相的字句, 都會打折扣. 其實她的高佻身形, 是間接造就了她在粵藝圈的不朽! 香港的職業或業餘女文武生, 很多是這最基本條件也沒有便上台反串, 委屈的是觀眾眼晴!

你說”睇同听都要揀好的, 睇得渣野多, 欣賞力自然變埋低了”. 真是至理名言.

人生苦短, 何必花時間看粗糙的東西. 唔睇得, 唔唱得, 或唔做得的台上表演者, 我一概避之則吉.

你曾講過要在有生之涯, 做些有用之事, KC先生則話要做無聊的事來打發這有生之涯, 雙劍合壁, 難怪這討論區, 又益智, 又有娛樂性!

Re: 粵曲粵劇趣味話題 ( No.3036 )
日期：2013/05/31 10:43
留言者：青玉案

一言堂先生:

你好, 我有幾個問趣, 想向你請教, 希望你可以抽點時間回覆我.

(1) 我十分喜歡,欣賞蘇春梅. 覺得她聲色藝全. 她主演的三寶佛堂, 目前省港兩地花旦, 無人有條件演出. 她近況如何, 是否已退出了粵藝圈?

(2) 陳笑風的李後主栽梅賞雪, 曲詞清麗. 不知是否因為子喉唱詞太少, 這曲甚少人知聞. 我只知是蔡衍棻撰曲. 子喉是曹秀琴. 你可以提供一些有關此曲消息嗎?

(3) 可以寫寫怎樣處理”連句” 嗎? 幾年前梁漢威來多市演出. 辦了一個粵曲講座. 我問他連句的用法. 他只回應是上海妹無氣的唱法. 我覺得這說法不盡不實. 但似乎大陸藝人真的甚少或沒有用連句的.

(4) 馮剛毅去年在多市登台. 我向他提起吳嘵毅, 他斬釘截鐵回應 ”不識這人”. 這是完全沒可能的, 倆人先後是深圳粵劇團文武生. 倒底是我無心犯了戲班忌諱, 還是別有隱情. 他為人是頂和氣有禮的, 惟其如此, 我才一直耿耿於懷.

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