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粵曲粵劇趣味話題 (卷一）
日期：2015/04/26 22:55
留言者：KC

(微笑) (微笑) (微笑)通常網上討論，好易談興正濃離了題！又來不及去談天說地版設題！不如就開個廣濶的題目！
任大家隨意發揮吧！ (表情33) (表情33) (表情33) (表情33)
（出貼日期：2012年10月21日）上面日期乃本貼修改過的日期！

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Re: 粵曲粵劇趣味話題 ( No.3061 )
日期：2013/06/02 08:34
留言者：Kc

(大笑) (大笑) (大笑)早晨！早晨！

琴晚的確玩得幾開心！

尤其是過了十時，玉笙小姐演唱時，突然人多起來！可能是附近唱局收了檔！


也可能一曲拾釵耳熟能詳！

當然也是玉笙小姐和佢個偶遇派拿，唱得動聽啦！

如果老三兄堅持下去，一定可以成為文化街一長期項目！

開始有高手技癢參與！是好的開始！

此事一定可以繼續走紅的！

加油呀！老三兄！ (表情33) (表情33) (表情33) (表情33)

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Re: 粵曲粵劇趣味話題 ( No.3062 )
日期：2013/06/02 09:15
留言者：玉笙

Kc前輩：
請問我個偶遇派拿叫甚麼名字？她好掂喎。昨晚我只是將何老師多年教導，借助小三哥的街擋來實淺啫，希望冇失禮老師就好了。😜😜😜
前輩，您下次都玩首「萬惡」，包吸引街客的共嗚。😘😘😘😘
小三哥：
您的街頭文化羣眾越嚟越多啦！㳟喜！㳟喜！

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Re: 粵曲粵劇趣味話題 ( No.3064 )
日期：2013/06/02 10:14
留言者：Kc

(大笑) (大笑) (大笑)玉笙小姐，你的偶遇派拿，我也是第一次見！

問老三兄啦！

哈哈！唱乜都得！

根本我很少唱新馬D歌！

拋磚引玉，冇所謂！

就係有人唱得差，才引倒高手落場吖馬！

有乜碟就唱乜囉！

Kc想搞下氣氛之馬！

”拉乎”至係我強項吖馬！ (表情34) (表情34) (表情34) (表情34)

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Re: 粵曲粵劇趣味話題 ( No.3065 )
日期：2013/06/02 10:27
留言者：玉笙

Kc前輩：
您呢個開心快活人吖！真開心！可喜可賀。
總之大家為丞傳曲藝和宣揚街頭文化啫，不分高低手啦！😜😜😜😜😜😜

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Re: 粵曲粵劇趣味話題 ( No.3066 )
日期：2013/06/02 11:34
留言者：路人

唔該晒! 即係隧道出口啦! 我下月去搵下先! (歡笑) (表情14)

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Re: 粵曲粵劇趣味話題 ( No.3067 )
日期：2013/06/02 12:28
留言者：玉笙

小三哥：
煩請小三哥代後學 多謝眾曲友，我喜愛曲藝，感謝眾曲友給予鼓勵。請你下次定要等我到達才唱「吟盡楚江秋」，Thank you!😉😉😉😉😉

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Re: 粵曲粵劇趣味話題 ( No.3068 )
日期：2013/06/02 16:17
留言者：寸草心

......鞋!....真个恨死隔籬!.....快D遞D傳真黎睇过! (表情33) (表情33) (表情33)
三哥唱得做得,坐言起行! (拍掌) (拍掌) (拍掌)

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Re: 粵曲粵劇趣味話題 ( No.3069 )
日期：2013/06/02 22:40
留言者：Kc

(大笑) (大笑) (大笑) (大笑)越來越近九九九九九啦！

一跳十萬！

就齊齊唱：同歡暢，齊歡樂！

哈哈！飲勝！飲杯勁！杯莫停！ (表情34) (表情34) (表情34) (表情34)

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Re: 粵曲粵劇趣味話題 ( No.3070 )
日期：2013/06/02 23:53
留言者：辛奇士

十万认真巴闭，麻将最大都系九万咋！

十万火急呀！吹行鸡扯马呀！


(表情16) (表情42) (表情13) (表情14)

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Re: 粵曲粵劇趣味話題 ( No.3071 )
日期：2013/06/03 06:43
留言者：tt

我吼實啦！ (表情13)

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Re: 粵曲粵劇趣味話題 ( No.3072 )
日期：2013/06/03 09:48
留言者：Kc

(大笑) (大笑) (大笑)早晨！早晨！

九九七••••啦！

越來越近啦！

今日有二百幾就到啦！

歷史時刻一到！


丁丁丁櫈！

100000！十萬！六位數字！

破關而上！ (表情30) (表情30) (表情30) (表情30) (表情30)

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Re: 粵曲粵劇趣味話題 ( No.3073 )
日期：2013/06/03 10:01
留言者：一家言

　　看到青玉案先生的留帖，但却是希望“一言堂”先生回答的，在下也算是阿立网站的热心粉丝，似乎都没有看到过有“一言堂”的跟帖，以在下的粗陋理解，所谓“一言堂”者，就是一个人说了算，容不得或不允许别人有不同的意见。在网上讨论问题，似乎谁都没有这个霸气的气势，我想是不是记错人名了？大概没有谁会以“一言堂”来为自己命名的吧？！
　　出自蔡衍棻先生笔下的《栽梅赏雪》，是较早前陈笑风和曹秀琴录音原唱的对唱曲，当时曹秀琴刚出名不多久，撰曲者自然安排大老倌陈笑风的唱段多一些，这便造成了该曲平子喉“曲份”不太均匀的情况，或者真是因为这个原因吧，这首曲的传唱范围确是一直都不那么普及。——这也许是撰曲者当时始料不及的吧，开始时只是考虑到要照顾大老倌的名气和身份，所以落笔时便让“李后主”多唱一些——这程情况并非绝无仅有，比如原来卿叔写的《沈园题壁》，也是平喉唱了绝大部分，子喉的确是没有什么唱的，经过×先生增加子喉的“曲份”，而成为《沈园题壁两断肠》后，在省港传唱的人才迅速多了起来，这是许多人都看到的客观事实。
　　类似的事给撰曲人一个启示，老倌的名气的确要顾及，但如果写曲时安排“曲份”太失衡的话，的确会影响一首曲的传唱程度，须知现时许多曲友操曲和出骚，费用都是二一添作五的，凭什么我要选一首平喉唱六七成、子喉唱三四成的曲来唱呢？反之亦然。一首曲的人物，当然有主次，视其内容，在“曲份”上适当有一些倾斜，是可以理解的，但不可太过，否则过犹不及，作为唱曲者，当然也要体味写曲人的苦心。所谓“度身订做”云云，就是写曲的人要熟知老倌和著名唱家的脾气，否则他们便很难将一首曲唱得出彩。
　　冯刚毅虽然已退休多年，但对从省剧院调去深圳粤剧团的新扎文武生吴晓毅，没理由不认识。况且吴最近重新排演的《风雪夜归人》，原来就是冯刚毅开山首演的，以我个人分析，说不定吴排演前还看过冯刚毅原来的演出录像，至于青玉案先生向冯刚毅问及吴晓毅的什么什么，冯刚毅说“不认识这个人”，依照常理猜测，其中两人一定是有别人不了解的“牙×印”，具体内情这就要他们才知道了，有时梨园戏班内的事，真是一言难尽！以在下分析，其中是因为某些不便在此言说的缘故。
　　目前苏春梅基本上没怎么演戏，其中的缘故多多，近年深圳粤剧团的改制，似乎留下不少有待圆满解决的问题，希望通过各方的努力，使剧团早日走出困境。一个大家都看到的事实是，深圳市粤剧团现在是由该团的年青花旦吴思明拍吴晓毅担纲演戏。苏春梅唱工好，声音甜美，她不演戏和唱曲，是观众和粤剧的双重损失。有什么办法呢？这些情况和无奈，使我想起两句宋词——“更能消几番风雨”，“最可惜如此江山”！

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