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粵曲粵劇趣味話題 (卷一）
日期：2015/04/26 22:55
留言者：KC

(微笑) (微笑) (微笑)通常網上討論，好易談興正濃離了題！又來不及去談天說地版設題！不如就開個廣濶的題目！
任大家隨意發揮吧！ (表情33) (表情33) (表情33) (表情33)
（出貼日期：2012年10月21日）上面日期乃本貼修改過的日期！

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Re: 粵曲粵劇趣味話題 ( No.3183 )
日期：2013/06/11 16:26
留言者：路過

手機兄：八板頭。

從前粵曲中，要唱小曲，必會先奏八板頭作板面。 (微笑)

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Re: 粵曲粵劇趣味話題 ( No.3184 )
日期：2013/06/11 17:43
留言者：寸草心

路過兄, (表情33).......带出.....此 "八板頭" 与 罗古"八板頭" 有关連? (沉思)

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Re: 粵曲粵劇趣味話題 ( No.3185 )
日期：2013/06/11 18:25
留言者：新凡风

TL曲友：

有些误会，区区是说粤曲，不是广东音乐。转话题是区区的不是。 (表情37) (表情33)

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Re: 粵曲粵劇趣味話題 ( No.3186 )
日期：2013/06/11 20:10
留言者：青玉案

辛奇士先生:

昨天看了你的網帖, 特地走去海報區瞧瞧. 看來 那些要找省內一級佬倌伴唱的香港富人, 數目似乎不多. 或者有些海報沒放在立網罷.

文汝清在六月三十和七月一曰在本市登台. 七月四日則在香港高山劇院演出, 都幾頻撲! 他唱燈釵拾翠和羅家英唱雙仙拜月亭都同樣地令人眉心起皺!

讀到有關編劇家馮志芬的晚年遭遇, 心有戚戚然之感. 我和馮華師傅有數月師生之緣. 他教了我兩支薛覺先名曲, “陌路蕭郎” 和 “前程万里”. 曲是老掉了牙, 唱局沒人唱, 或者喜歡唱. 但我卻極為欣賞那簡潔, 易上口曲詞. 後來找到了他的其他作品的聲帶. 特地請音樂師傅打了工尺譜, 用電腦印出來收藏. 他的白欖, 真的寫得非常好! 例如,

生白欖: 風片片, 雪片片, 深感紅顏動慈念, 為憐雪中人, 紗窗為不掩, 玉臂恐寒侵, 我累人實不淺, 不若重為掩紗窗, 聊報心一點, 聊報心一點.

旦白欖: 門外雪風寒, 不及室中暖, 壯士既難行, 奴願為方便, 哎喲奴願為方便.

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Re: 粵曲粵劇趣味話題 ( No.3187 )
日期：2013/06/11 20:23
留言者：Kc

(大笑) (大笑) (大笑)原來八板頭就是雨打芭蕉的前身！

哈哈！各老前輩！的確有料！

好彩維基都唔錯得晒！ (表情23) (表情23) (表情23) (表情23)

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Re: 粵曲粵劇趣味話題 ( No.3188 )
日期：2013/06/11 20:31
留言者：青玉案

一家言先生:

黎子流先生現在那裡? 順德還是廣州?

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Re: 粵曲粵劇趣味話題 ( No.3189 )
日期：2013/06/11 21:41
留言者：老三

应该在順德。

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Re: 粵曲粵劇趣味話題 ( No.3190 )
日期：2013/06/11 21:54
留言者：路過

以上“風片片, 雪片片”的一段白欖，是取自粵曲梁紅玉（薛覺先、譚蘭卿）

薛氏的對答曲，多有白欖。

今人寫曲，除諧曲外，多棄白欖。 (沉思)

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Re: 粵曲粵劇趣味話題 ( No.3191 )
日期：2013/06/11 23:04
留言者：Kc

(大笑) (大笑) (大笑)有次係南方衛視見黎子流同黎駿聲唱高山流水！

都唱得有板有眼！ (表情33) (表情33) (表情33)

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Re: 粵曲粵劇趣味話題 ( No.3192 )
日期：2013/06/11 23:22
留言者：辛奇士

黎市长唱粤曲D顺德话出晒黎噃呀既。

(好!) (大笑)

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Re: 粵曲粵劇趣味話題 ( No.3193 )
日期：2013/06/11 23:34
留言者：Kc

(大笑) (大笑) (大笑)咁注有特色！ (表情23) (表情23) (表情23)

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Re: 粵曲粵劇趣味話題 ( No.3194 )
日期：2013/06/12 04:47
留言者：TL

(表情33) (表情33) (表情33)
路過兄：“雪底遊魂”是陳冠卿作無疑，有案可查。他寫給譚佩儀唱的《姑蘇晚詠》用來開首。（此曲比《風雪訪情僧》早？）想不到路過兄還是器樂專才，失敬了！我自幼習胡琴，五十餘年專注於斯。網上吹水，習琴餘興耳，興之所至不免忘形。兄廣聞博識，請隨時斧正。
新凡風兄：見到“南國紅豆”，本應就想到粵劇的，是我粗心了。
由盛而衰乃天道，粵劇也不可避免。粵劇的存在形態是欖核型。創新與守舊兩派的精英是粵劇的兩個尖端，創新派的積極作用是保持粵劇與時俱進的活力，守舊派則擺正航軌使粵劇不偏離粵姓本色。兩者不可或缺。兩端之間是絕大部分從藝人員及社會大眾。這個群體觀點混雜人微言輕，一似“打醬油”角色。但天賦予裁判的重任，兩端的任何選擇該取該捨能否傳之久遠，均由他們定奪。是為大浪淘沙的真諦。
因為文學水平每下愈況等原因，新不如舊可能是事實而且勢不可挽。無奈之餘，試試換一個角度來看。舊曲在當年也是沙泥俱下，流傳至今能成為經典的，都經過了時代的淘選。拿當代新曲的平均水平與當年的經典來比當然是雲泥之別，但也不乏可入殿堂的優秀作品。
能與新老交流，機緣也屬難得。奇士兄每言新老謙謙君子，雅能納言。後學便挑剔一下：“新原素必须仍姓粤”者，愚見非是。既云新元素，當然不姓粵。小提琴不姓粵，雲斷藍橋也不姓粵。但粵劇有一個本事，就是要外姓改了姓始準入粵籍。
創新派的興趣之一就是不斷搞些外人來改姓，當然有時也難免搞得魚龍混雜一鑊泡。於是哪些可以入籍，哪些不可以，去留交予“打醬油”者決定。一如貼前所述，逃不出大浪淘沙之道。
倘斯論苟成，還可以回應我之前說過的一個主張：主管部門對粵劇最好的態度是----“無為而治”。 (表情33)
後學疏狂，自罰獨飲一杯。謝罪！ (表情35) (表情35)

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阿立粵曲天地(以下稱本網)所有留言區是以即時上載留言的方式運作，本網對所有留言的真實性、完整性及立場，不負任何法律責任。而一切留言之言論只代表留言者個人意見，並非本網之立場，讀者不應信賴內容，並應自行判斷內容之真實性，讀者若因信賴留言而招致任何損失，本網概不負責。 由於所有留言區受到「即時上載留言」運作方式所規限，故不能完全監察所有留言，若讀者發現有留言出現問題或涉及任何侵權行為，請聯絡本網。本網有權刪除任何留言及拒絕任何人士上載留言，同時亦有不刪除留言的權利。切勿撰寫粗言穢語、誹謗、渲染色情暴力或人身攻擊的言論，亦不可上載任何侵權文章，照片，曲詞，錄音及影片，敬請自律。 所有網內留言或文章，留言者均不可保留文章或留言的個人或非個人版權權利，惟他人如需在別處引述或登出，請註明出處。