粵曲粵劇趣味話題 (卷一） 日期：2015/04/26 22:55 留言者：KC 通常網上討論，好易談興正濃離了題！又來不及去談天說地版設題！不如就開個廣濶的題目！ 任大家隨意發揮吧！ （出貼日期：2012年10月21日）上面日期乃本貼修改過的日期！

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Re: 粵曲粵劇趣味話題 ( No.6303 ) 日期：2014/03/27 14:50 留言者：KC 怎樣唱好一首粵曲 (劉先生) 筆者很喜歡粵曲，對於每一首自已想唱的曲，也會在唱前研習一番。怎樣才能把這首曲唱好呢？ 唱好一首粵曲其實牽涉到很多因素。上世紀九十年代初，筆者與勞韻姸老師一起應市政總署之邀，在高山劇場一項粵曲比賽中出任為評判。決出名次後，主辦單位邀請勞老師與我上台說些「評語」。 勞老師對我說，〝劉先生，我們分工，我說叮板問題，你談音準問題。〞的確，要唱好一首粵曲，叮板及音準是兩大要素。 先談談叮板。在京曲方面這稱為「板眼」。京曲的「一板三眼」代表4/4的節奏，粵曲則稱之為「一板三叮」。不論演唱或演奏任何曲種，總離不開要掌握好該曲的節奏。紅伶老倌在正式演出中，很少有「撞板」的情況，但業餘愛好者則較容易出錯。但不知怎的，一代宗師馬師曾在唱《余俠魂訴請》，在戲稱「拎隻尿壺掉上床」的中板過序後，開口唱「我姓余…」時，開得早了少許。 多年前，在一次演唱會上，伍艷紅與陳慧思唱《洛水夢會》。開始時她在〈乙反南音〉一段時已經出錯。最後在唱「夢醒芳魄無處覓，…」竟然完全跟不上音樂的節奏，失誤極大。可能在當年，《洛水夢會》還是新曲，伍艷紅不甚熟曲吧。 如果熟曲，一般來說，叮板問題較易掌握。但音準問題很複雜。 有些人天生較有音樂感，耳朵又靈敏，不會或很少有「走音」的問題。 但亦有不少人在這方面有困難：所謂「五音不全」者。如果屬於後者，唯有多些鍛煉、多唱，慢慢去改善了。 不論任何歌曲、樂器，音調的準與穩都是一些基礎的問題。在粵曲方面，很多業餘愛好者較易失準，尤其是在「清唱」時(例如木魚、龍舟、長花) 。 舉例，在《幼覺離恨天》一曲中，生唱〈乙反木魚〉「妹妹呀，卿死已無堪戀棧…」，再輪到旦唱「寶哥哥，悲金悼玉原是幼，…死後餘灰再續難。」之後生要禿唱〈乙反南音〉。經過了這麼長的乙反木魚後，很可能某方或雙方都唱離了調，以致禿唱乙反南音時也只能待伴奏的樂音重起時才能糾正過來。 大多數的紅伶老倌，很少有在音準方面有缺失。陳笑風是我的偶像。「風腔」細膩婉轉，吐字清晰。但，他在後期所唱的《錦江詩侶》、《山伯臨終》等曲時，在拉腔時已不太穩，有些失準了。 阮兆輝在灌錄的唱片中，有一曲《離鸞秋怨》，是以「豉味腔」為其專長的李向榮(一九零八至一九六六) 的代表作之一。阮在唱到最後一段〈合尺花〉「莫論是妹妳忘情抑或是郎薄倖」時，明顯的走了音。 李向榮另一名曲《雲雨巫山枉斷腸》起初「打引」後唱「枉斷腸」時的拉腔是些甚麼音，初學者也較難掌握，因為這個腔是清唱的。 唐健垣早年對李向榮的唱腔已很有研究，在他輯錄的《唐氏粵曲唱本》中，將這個腔的工尺訂為反線的「六反工尺上尺乙士合尺工六五反工」，是不對的。 在沈秉和所著的《豉味縈牽四十年》一書後面所輯的曲中，在這裡用了「五六工尺上尺乙士合伬合土尺上乙」是對的，但說是反線的，也錯了。 這裡應該是用正線。接着的唱段是〈反線二王板面〉「自愧無妙計…」的工尺是反線的「工六尺工六…」。打引之後拉腔至正線的「乙」，與〈反線二王板面〉的首個音「工」，是同一個音。 如果正線是C調，這個音是B。但李向榮的正線是降B調的，因此這個音是A。後來，楊子靜模仿《雲雨巫山枉斷腸》一曲，寫出了著名的「風腔」名曲《山伯臨終》。這一曲在打引後所唱的「兩吞聲」的拉腔是反線的「六生生五六工尺上士上合尺工六五反工」。 多年前，名伶新馬師曾有一次與吳君麗唱《樓台會. 憑欄》。這應該是一首悽怨的曲，但新馬師曾唱得不認真，不斷在搞笑，「玩」得過份了。唱到禿頭〈雙聲恨〉時，偏離了應該用的正線，唱了半句，伴奏音樂加入時才修正了。 名曲《洛水夢會》有一段由旦唱的〈乙反花上句〉「你應知菩提無樹鏡非台，莫怨苦海浮沉難靠岸。」在唱後半句時，很多旦都掌握不到音準。 我試過問她們這一句的工尺時，大多都不甚了了。其實這一句的工尺是「六六六上上尺反反六工尺上，乙尺工工乙士士士尺乙尺，工六五反六工尺上尺」。如果想準確的唱好這一句，對其工尺應該要有認識。 要唱好一首粵曲，還涉及很多其他的學問。將一首粵曲唱好後，我們還要學習如何去欣賞粵曲。有空再和大家談談。 KC: 偶然在網上揾倒這位姓劉的音樂家之言, 好有料到！ 論音準！大家學下嘢嘞！ 知道佢是誰！唔該同佢 "單" 声！ KC好服佢！ Re: 粵曲粵劇趣味話題 ( No.6304 ) 日期：2014/03/27 17:58 留言者：大龙凤 系唔系刘兆荣？佢做过好多大老倌头架。 大龙凤曲艺探案之四十。 Re: 粵曲粵劇趣味話題 ( No.6305 ) 日期：2014/03/27 20:15 留言者：寸草心 劉師傅係顯示佢既專業知識. 讓大家學習, 讓大家知多D 有同样大師級水平既人仕都可以用顯微鏡黎檢視所有作品, 並点出不盡善處. 不过好多都敝帚自珍, 收埋! 似乎粤劇戲曲不太講求嚴謹. 即興發揮, 神來之筆往往會併隨"沙石". 个人創意第一, 規規矩矩第二. Re: 粵曲粵劇趣味話題 ( No.6306 ) 日期：2014/03/27 20:35 留言者：Kc 佢係音樂家，但不是唱家！ 唱滾花根本唔需要唱到粒粒音同原唱一樣至叫啱！ 收音啱就可以了！ 至於好唔好聽？就另作別論！ 然乎？不然乎？ 不過相信佢一定識！只不過用來舉例說明音準的重要！ 冇話人唔得之意啩？ Re: 粵曲粵劇趣味話題 ( No.6307 ) 日期：2014/03/27 20:42 留言者：路過 原文出自戲曲品味2013年8月(153期)。 怎樣唱好一首粵曲－作者：劉祖農 Re: 粵曲粵劇趣味話題 ( No.6308 ) 日期：2014/03/27 21:30 留言者：kc 劉祖農？ 介紹下, 可以嗎？ 似乎是音樂家噃！ Re: 粵曲粵劇趣味話題 ( No.6309 ) 日期：2014/03/28 09:15 留言者：KC 己到28關前！ 努力！加油！ 唱出彩虹！ Re: 粵曲粵劇趣味話題 ( No.6310 ) 日期：2014/03/28 11:01 留言者：大龙凤 如果有付相片便知系乜谁。 大龙凤曲艺探案四十之二。 Re: 粵曲粵劇趣味話題 ( No.6311 ) 日期：2014/03/28 18:28 留言者：寸草心 能夠咁瀟洒指点江山, 激揚攵字既戲曲師傅難得. 劉兆榮師傅常任鳴芝聲果位? Re: 粵曲粵劇趣味話題 ( No.6312 ) 日期：2014/03/28 18:45 留言者：麥友成 果位係劉健榮。 Re: 粵曲粵劇趣味話題 ( No.6313 ) 日期：2014/03/28 19:20 留言者：寸草心 俾70分啦！ Re: 粵曲粵劇趣味話題 ( No.6314 ) 日期：2014/03/28 22:00 留言者：麥友成 攞棍嚟!攞分!

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