粵曲粵劇趣味話題 (卷一） 日期：2015/04/26 22:55 留言者：KC 通常網上討論，好易談興正濃離了題！又來不及去談天說地版設題！不如就開個廣濶的題目！ 任大家隨意發揮吧！ （出貼日期：2012年10月21日）上面日期乃本貼修改過的日期！

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Re: 粵曲粵劇趣味話題 ( No.6134 ) 日期：2014/02/27 10:19 留言者：小李 ｋｃ大哥，你話得作曲咁容易，不如你作首啦！ Re: 粵曲粵劇趣味話題 ( No.6135 ) 日期：2014/02/27 10:34 留言者：麥友成 是何事散河!是何!是何省士散車! Re: 粵曲粵劇趣味話題 ( No.6136 ) 日期：2014/02/27 11:05 留言者：大龙凤 而家粤曲埋尾流行喊惊！从前梦会或死别叫名後总有段小曲或尾花至收。例：文姬！玉环慢走！朝云！新曲收曲罗钹中惨叫，好似被贼捅几刀大叫几声忽断气：湘兰！虞姬！食完炸子鸡就送客，粉饭、生果欠奉。 大龙凤曲艺探案三十二之三 Re: 粵曲粵劇趣味話題 ( No.6137 ) 日期：2014/02/27 11:52 留言者：kc 冇難度！又冇水揾！ KC會唔會去做呀？ 講到難度高, 人地以前賣藝,真係要細細個開始去學嫁！ 边有連行都未識行, 唱到走晒音！都想賣飛收銀！ 果D老到, 一唱棚假牙都就甩, 冇声又冇氣！ 又想標尾會！ 唉！點搞？ Re: 粵曲粵劇趣味話題 ( No.6138 ) 日期：2014/02/27 16:09 留言者：kc 介紹D, 乜叫做堅嘢啦！ 《李憑箜篌引》- 李賀〈蕭若元主講詩詞文學〉 李賀 《李憑箜篌引》賞析 李憑箜篌引 李賀 吳絲蜀桐張高秋，空山凝云頹不流。 江娥啼竹素女愁，李憑中國彈箜篌。 昆山玉碎鳳凰叫，芙蓉泣露香蘭笑。 十二門前融冷光，二十三絲動紫皇。 女媧煉石補天處，石破天驚逗秋雨。 夢入神山教神嫗，老魚跳波瘦蛟舞。 吳質不眠倚桂樹，露腳斜飛濕寒兔。 語譯 吳絲蜀桐製成精美的箜篌，在深秋彈奏，聽到美妙的樂 聲，天空中白雲凝聚，不再飄遊。那湘娥的淚珠灑滿斑 竹，九天上素女也牽出滿腔憂愁。這都是因為李憑在京城 彈奏箜篌。 像昆侖美玉撞擊聲聲清脆，如鳳凰激昂嘹亮的歌喉，像芙 蓉在露水中唏噓飲泣，如蘭花迎風開放笑語輕柔。清冷的 樂聲使得長安城沉浸在寒光之中，李憑手中的二十三根琴 弦使天帝動容。高亢的樂聲直衝女媧煉石補天處，好似補 天的五色石被樂聲震破，引出漫天秋雨。 人們恍惚飛入神仙中，看到李憑把技藝向神女傳授，聽到 樂聲，老魚在波中跳躍，瘦蛟隨波起舞。月宮裡的吳質聽 得入了迷，靠在桂樹旁久久難眠。露水打濕了.立聆聽的兔 子，它竟然不顧露珠兒斜飛寒颼颼！ 　音樂是一種訴諸於聽覺的時間藝術，它的音響只存在一 瞬，轉瞬即逝。音樂形象比較抽像，難以捉摸，要用文字 將其妙處表達出來就更困難了。李賀這首詩在眾多的描寫 音樂的唐詩中脫穎而出，獲得讀者的摯愛，人們將李賀這 首詩與白居易的《琵琶行》、韓愈的聽穎師彈琴 》並列為 「摹寫聲音之至文」，這是有道理的。 　　但是李賀這首詩與白居易、韓愈的詩不同。白居易的 《琵琶行》、韓愈的《聽穎師彈琴》主要通過比喻、象聲 等手法，力圖描繪出音樂的形象。如「大弦嘈嘈如急雨， 小弦切切如私語 」「大珠小珠落玉盤」；「暱暱兒女語， 恩怨相爾汝 」「喧啾百鳥群，忽見孤鳳凰」等就是。李賀 在詩中雖然也用了「昆山玉碎鳳凰叫，芙蓉泣露香蘭笑」 兩句來描寫李憑彈箜篌的音樂形象(這兩句固然寫得很妙)， 但李賀主要不是使用描寫的手法去精雕細刻音樂的形象， 而是著重寫「感」，寫音樂給人的感受，寫音樂強烈的、 驚心動魄的藝術力量。 　　在描繪李憑箜篌彈奏的樂聲給人們的感受、描繪樂聲 藝術效果時，詩人李賀沒有按一般的思維軌跡去敘述；而 馳騁自己大膽的幻想和豐富的聯想，形成神奇變幻、令人 應接不暇的藝術境界來表現樂聲。這裡試以新詩的形式， 把它翻譯出來。 　　吳絲蜀桐製成精美的箜篌，奏出的樂聲飄蕩在睛朗的 深秋。 　　聽到美妙的樂聲，天空的白雲凝聚，不再飄遊； 　　那湘娥把點點淚珠灑滿斑竹，九天上素女也牽動滿腔 憂愁。 　　這高妙的樂聲從哪兒傳出？那是李憑在國都把箜篌彈 奏。 　　像崑崙美玉碰擊聲聲清脆，像鳳凰那激昂嘹亮的歌 喉； 　　像芙蓉在露水中唏噓飲泣，像蘭花迎風開放笑語輕 柔。 　　整個長安城的大街小巷，如同沉浸在一片寒光中那樣 清幽。 　　二十三根弦絲高彈輕撥，天神的心弦也被樂聲吸引。 　　高亢的樂聲直衝雲霄，把女媧煉石補天的天幕震顫。 　　好似天被驚震石震破，引出漫天秋雨聲湫湫。 　　夜深沉，樂聲把人們帶進夢境，夢見李憑把技藝向神 女傳授； 　　湖裡老魚也奮起在波中跳躍，潭中的瘦蛟龍翩翩起舞 樂悠悠 。 　　月宮中吳剛被樂聲深深吸引，徹夜不眠在桂花樹下徘 徊逗留。 　　桂樹下的兔子也佇立聆聽，不顧露珠兒斜飛寒颼颼！ 　　在這裡我們可以看到，詩人李賀如同一位神奇的魔術 師，他驅使著大自然的靜物、動物，調動了神話傳說中眾 多的神人的形象，來寫出樂聲強烈感人的藝術效果，表現 了李憑彈奏箜篌的高超藝術。這其中有天空中的白雲、湫 湫的秋雨，潭中的老魚、瘦蛟，神話傳說中的湘娥、素 女，紫皇、神嫗，吳剛、玉兔等等。李憑彈箜篌的樂聲連 沒有感覺的靜物、無知的動物都為之感動，連高踞仙界的 神仙們也被樂聲緊扣心弦。這樣，抽像的、難以捉摸的樂 聲以及它奇妙的藝術效果，形象而具體地呈現在讀者面 前，使讀者沉浸在奇異的藝術境界之中，引起豐富的幻 想。 　　詩人的想像是奇特的、與眾不同的。例如音樂引動魚 鳥，前人也曾寫過，《列子》一書說：「瓠巴鼓琴而鳥舞 魚躍。 」這種描寫還是一種常規的思維軌跡。然而，李賀 卻是寫「老魚」寫「 瘦蛟」，這樣的藝術形象就十分奇異 了。又如，詩中寫到「 教神嫗」，如按一般思維程式，就 會說李憑的技藝高超，是神女所傳授的，這樣的說法就已 經是誇張了，這樣的描寫很多，不用例舉。但李賀卻說李 憑教善彈箜篌的神女彈奏，這就不同尋常。再如，白居易 寫樂聲「銀瓶乍破水漿迸」 ，這樣描寫思維軌跡是一般讀 者能把握的；但李賀卻說樂聲把女媧煉五色石補天之處震 破，引出一天秋雨 ，這樣的寫法就新穎了。此外，芙蓉哭 泣、香蘭笑，這樣的描寫也不一般。我們這裡可以看到李 賀想像奇異，描繪意象新奇的藝術特色。詩人在這首詩中 的幻想、聯想，還有一個很鮮明的特點，那就是它的跳躍 性。這首詩詩人的思維活動時而地下，時而天上；時而動 物，時而植物；時而神人，時而天帝。他敘述的脈絡沒有 一定的次序，而是隨著詩人想像的流動，想像所至，筆之 所至。這樣寫法，既在內容上使詩的意境內蘊豐富，變幻 多樣，也在形式上使詩的意境具有一種流動搖曳之美。神 異的美，奇特的美，流動搖曳之美，這就是李賀這首詩具 有的藝術美感。 Re: 粵曲粵劇趣味話題 ( No.6139 ) 日期：2014/02/27 18:54 留言者：寸草心 喘不过氣之導賞! 2014 之冠軍帖!? Re: 粵曲粵劇趣味話題 ( No.6140 ) 日期：2014/02/27 20:38 留言者：蛇仔明 天南地北乜都讲得既，呢个栏应该叫做.....？ 讲番正题：有D撰曲人专出快飧，握住个街边热卖鱼蛋方程式系咁流水作业，梗死人无命赔。如果叫呢D做低B曲，咁揽住呢D曲唱到死去活来既曲友又应该叫做乜好呢？ Re: 粵曲粵劇趣味話題 ( No.6141 ) 日期：2014/02/27 21:19 留言者：老三 KC兄：星期六赢完马，就好早些到来街唱喇！我三点就去霸位，仲要佐敦道地铁推架生落豉油街架……！ Re: 粵曲粵劇趣味話題 ( No.6142 ) 日期：2014/02/27 22:18 留言者：KC 老三兄：會九點後到！咪預我唱！ 可預我宵夜可也！ Re: 粵曲粵劇趣味話題 ( No.6143 ) 日期：2014/02/27 23:33 留言者：老三 KC兄：星期六赢完马，就好早些到来街唱喇！我三点就去霸位，仲要佐敦道地铁推架生落豉油街架……！ Re: 粵曲粵劇趣味話題 ( No.6144 ) 日期：2014/02/28 00:23 留言者：tt 三哥：使唔使出兩張帖催我四阿哥? Re: 粵曲粵劇趣味話題 ( No.6145 ) 日期：2014/02/28 01:26 留言者：老三 奇怪！点解会出左二贴呢？难道我部手机中左病毒？？！

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