粵曲粵劇趣味話題 (卷一） 日期：2015/04/26 22:55 留言者：KC 通常網上討論，好易談興正濃離了題！又來不及去談天說地版設題！不如就開個廣濶的題目！ 任大家隨意發揮吧！ （出貼日期：2012年10月21日）上面日期乃本貼修改過的日期！

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Re: 粵曲粵劇趣味話題 ( No.7410 ) 日期：2014/07/01 13:39 留言者：老三 记得在约四十年前（文革后不久），有位在广州的一线级的粤剧老倌对老三讲：上头（政府）要求他去参加一系列的录像，把毕生所学的功架表演，在录像机前表演一番……。老三顺口问：有无比钱你呀？回答：无啊！赠送一堆礼品乍……！ Re: 粵曲粵劇趣味話題 ( No.7411 ) 日期：2014/07/01 14:20 留言者：麥友成 可能有代用券~ Re: 粵曲粵劇趣味話題 ( No.7412 ) 日期：2014/07/01 14:22 留言者：辛奇士 点解要录映？因为抢救文艺遗产。文革毁灭左大量传统戏曲资料，好多已经补唔番。至有请靓次伯返广州录映坐车功架。 Re: 粵曲粵劇趣味話題 ( No.7413 ) 日期：2014/07/01 21:57 留言者：老三 昨日下午，广州市市长陈建华主持召开本届政府第121次市政府常务会，审议并通过了《广州市进一步振兴粤剧事业总体工作方案》(以下简称《方案》），提出3年内将做好10项重点工作，包括将在珠江上重现粤剧红船，建设广州粤剧院等。据悉，广州粤剧院将选址在珠江新城，建筑面积将达3万平方米，楼高控制在60米左右。 　　新建广州粤剧院 　　“国内屈指可数 　　国际影响很大” 　　粤剧被誉为“南国红豆”，是广州优秀的传统艺术和本土艺术。“2013年底，红线女老师的去世，再次引发了各界对‘后红线女时代’粤剧前途命运的强烈关注。”昨晚的市府常务会议新闻发布会上，广州市文广新局局长陆志强表示。 　　陆志强在回答记者提问时透露，广州计划在珠江新城的黄金地段新建一个新的广州粤剧院，目前已基本设定，正在走程序和规划当中。据了解，该粤剧院将设在红线女艺术中心的东边，初步匡算建筑面积将达3万多平方米，并且楼高控制在60米左右。陆志强透露：“剧院里边将包括粤剧排练的场地，演出场所等，如果打造好了在国内一定是屈指可数的，并且在国际上都将有很大影响。” 　　打造粤剧红船 　　游弋珠江一带 　　穿梭港澳等城 　　陆志强表示，在近三年要推进的10项重点工作当中，广州将打造一艘粤剧红船。据了解，粤剧红船在过去是粤剧表演艺术当中一个非常标志性的方法，它是用一艘船将戏班运到广东省的各个地方，在船上除了生活之外，还可以排练，到了目的地就可以上岸进行演出。 　　陆志强说：“粤剧红船承载了很多粤剧人的青春梦想，而在振兴粤剧的时候，将必不可少要有这样的内容。”他表示，今年两会期间，有政协委员提出打造粤剧红船的建议，在市一些主要领导的关注下，有很多的民营企业主都表示了投资的兴趣。目前，打造红船并愿意投资的已经无限接近，在洽谈当中，创意规划的初步设想也已经有了。 　　“过去红船是用于运载戏班到各个地方去演出，现在的红船应该是更多地吸引观众来观赏粤剧，以后应该会是在珠江一带，以夜游的方式，以表演的形式，吸引本地或者外地来的人到船上观赏粤剧。”陆志强说，另外，是否推广以前的作用，打造另外一艘红船去附近的城市演出，甚至到港澳演出，这是下一步的发展计划。 　　陆志强透露，预计在今年内粤剧红船会正式启动，在3年之内要见到效果，目前，团队也在组建当中。 　　振兴粤剧 　　有大计 　　广州将成立振兴粤剧事业工作领导小组 　　陈建华任组长 　　根据《方案》，广州还将成立广州市振兴粤剧事业工作领导小组，由陈建华任组长。领导小组下设办公室，办公室设在市委宣传部，市委常委、宣传部部长甘新兼任办公室主任。办公室下设10个专项工作小组，具体承担各专项工作。 　　此外，《方案》规定了推进落实10项重点工作的具体办法，计划成立10个专项工作小组，具体明确了10个专项工作小组的工作职责、责任单位、人员组成及工作日程。至于工作经费问题，陆志强表示，将由各工作小组根据方案要求制定振兴粤剧的各项工作经费预算，将经费纳入各单位年度经费预算，确保五大工程10项重点工作顺利推进。 ·张林· 　　广州粤剧振兴三年十大项目： 　　建成粤剧博物馆 　　建设广州粤剧院新址 　　打造一艘粤剧红船 　　打造几部精品剧目 　　扶持一批民间粤剧粤曲社团 　　推进粤剧进校园 　　拍摄一部粤剧专题纪录片 　　培养一批粤剧人才 　　成立红线女纪念馆 　　出版一批研究成果。 Re: 粵曲粵劇趣味話題 ( No.7414 ) 日期：2014/07/01 22:47 留言者：辛奇士 粤剧最需要的工作，不是样板工程；而是1. 恢复传统艺术 2.吸引新观众。 Re: 粵曲粵劇趣味話題 ( No.7415 ) 日期：2014/07/02 03:06 留言者：楓林月 《广州市进一步振兴粤剧事业总体工作方案》包括: "打造一艘粤剧红船-----以后应该会是在珠江一带，以夜游的方式，以表演的形式，吸引本地或者外地来的人到船上观赏粤剧."? 真是一個內行的秀主意! 我提議最好附設水蛇狗肉餐廳, 並开賭塲、桑拿按摩(保証唔会擰甩头个只)等娛樂項目, 与一眾粵剧芬士24小時同樂, 粵劇一定会更興旺了. 但只怕太多芬士上紅船会影响了地鉄、高鉄、城際高速等現代交通工具的生意, 其他部門恐有意見. Re: 粵曲粵劇趣味話題 ( No.7416 ) 日期：2014/07/02 06:05 留言者：TL 最近幾個貼子提到粵劇越來越沒腔、唱腔設計等問題，令我想起幾乎被遺忘的一個概念：度曲。剛好又有貼提到陳少風，就借以前說過的《山伯臨終》中的長句二黃噴幾句口水。 時興所謂唱腔設計，大抵與以前所云度曲者本質上疊合但外延有廣狹之異，於此僅以度曲說事。度曲是由撰寫完成到首唱者演唱前的一個必不可免的環節，是決定一首粵曲成敗的關鍵。度曲手段足夠高明的話，平庸文字的曲本可以成為名唱，平庸嗓子的藝人也可以成為名家。 為方便述說，仍以《山伯臨終》中的長句二黃為例。 長句二黃由不限句數的七字句加上一個八字句構成。每個七字句分成兩頓，唱一板兩叮過一叮序；轉入八字句收句時唱一板兩叮過一叮一板序再唱三叮一板過三叮序。 此段二黃由“數寒更”至“關雎詠”每頓都是唱一板兩叮過一叮序，規規矩矩，並無新意。值得一提的是，陳氏在正線腔中加入了乙反的元素，尤其是在“關雎詠”中更將乙音反复押到重音位，平平無奇之中風姿略見。到了“更不是長亭十八里叮嚀”，或是受字數的啟發，或是行腔的需要，將“嚀”放在尾叮上，然後將後一頓的“今夜她”三字擸出來。將前一句拖後些，後一句拉前些，前後兩句就粘起來了。風腔的特點之一是“粘”，這是此段長句二黃的第一粘。長句加上乙反的元素，再加上此處的粘連，有助於斯情斯景的情緒表達，但過長則悶，陳氏借“敲”、“痴”兩字的陰平聲調，問字攞腔，適時引入向高音上行的解心腔，闢一生面。解心雖是舊腔，但放在這裡也足見度曲者心思。 下一句由“裴航”起。“裴航”、“尾生”兩個七字句，按規矩應佔四個一板三叮的時值。陳氏將之壓縮在兩個一板三叮中唱出來，如果說上一句是借腔調的跌宕來求得一抑一揚的效果，此處則是通過對節奏的壓縮來形成一弛一張的對比。 跟著來的是第二粘，這是整段二黃的亮點： “我卻抗不來”唱了一板兩叮，照規矩“爭無計”應該等尾叮過序後用一板兩叮唱出來，但陳氏拿來攝在頭一句的尾叮裡，加上“眼看”兩個擸字，一叮裡放進五個字（這個壓縮比前面的更厲害）。“馬家郎”本應唱到中叮然後過一叮一板序，但陳氏直唱到尾叮，只留下一個板位過序，因為後面又有“強奪了”三個擸字，以故這一板實際上只剩得5/8的時值，足夠偷氣而已。接着，在“卿卿”後面的三叮不用音樂過序而用來拉腔，拉腔之後再省去板面直轉到乙反中板。如此一來，由“我卻抗不來”一直到“扇墜”二十多個字共四板十三叮半的時值一氣呵成，這是此段二黃的第二粘。這種“粘”加上陳氏的法口，成為風腔一大特色。其藝術效果如何，於此不予評說，但僅此一粘，已足見陳氏駕馭板式結構之功力。藝人度曲之艱辛過程，亦歷歷在目也。 今人學曲雖有錄音可循，但於度曲之法若能略解一二，借以揚長避短，不無裨益。評曲人若能於此多落筆墨，授人以漁，亦將功莫大焉。 Re: 粵曲粵劇趣味話題 ( No.7417 ) 日期：2014/07/02 08:44 留言者：楓林月 TL 大兄此貼剖析細緻清楚, 对我学曲極有指導性, 佩服之佘不能不謝. Re: 粵曲粵劇趣味話題 ( No.7418 ) 日期：2014/07/02 11:46 留言者：KC 各方君子，珠玉紛陳！ 看來：333333 指日可待•••••呀吔！查的撐撐•••••查的撐•••••• 接小曲••••••••春風得意••••••• Re: 粵曲粵劇趣味話題 ( No.7419 ) 日期：2014/07/02 12:04 留言者：竺竺 三哥, 留言No.7408, 袋左好多錢落我袋啦, 多謝哂! 話就話學戲多年, 其實好多嘢都唔識. Re: 粵曲粵劇趣味話題 ( No.7420 ) 日期：2014/07/02 12:55 留言者：麥友成 333333擺蕃幾圍慶祝啦∼ Re: 粵曲粵劇趣味話題 ( No.7421 ) 日期：2014/07/02 13:12 留言者：Kc 網上擧杯可矣！

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