Re: 應否背曲? ( No.1 ) |
日期:2006/01/27 15:00 留言者:yuenyuen
電郵:rswsusanna@yahoo.com.hk
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阿立兄,
如您之命題, 其實已經說明背曲是須要及必要的.
當然做戲要背, 即便清唱也應該背, 如您所說之內容背曲的好處已經十分詳盡. 多謝分享.
至於不好的地方, 是否人之常情, 貪多好勝. 一晚跑數局, 心未定, 氣猶喘, 即使已背, 都只餘3-4分, 又如何發揮唱情呢 ??
個人認為反覆的練習, 熟能生巧, 在基礎上增強節奏掌握, 音準都有好處. 阮沅 |
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Re: 應否背曲? ( No.2 ) |
日期:2006/01/30 12:18 留言者:阿明
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我認為其寶一首曲若是不斷的反覆操綀. 到演出時曲詞差不多都很熟了. 需不需要拿曲紙看著唱. 只是膽量的簡題而矣.
我個人認為演出時曲本可以打開拿著. (以備不時之需). 唱時不看. 音樂或鑼鼓過序時眼角才描一下由詞不防.
至於在台上誰會願意出醜. 不過, 若果你不試試, 你怎.知你原來可以背的呢! 當然, 操由畤就背曲. 到正式濱出. 自然得應手啦!!
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Re: 應否背曲? ( No.3 ) |
日期:2006/02/05 19:26 留言者:冰河
電郵:garyt113@yahoo.com.hk
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背左曲,感情會投入好多.... 當然要理解成個背境啦~ |
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Re: 應否背曲? ( No.4 ) |
日期:2006/02/26 18:44 留言者:Sunny Lau
電郵:sunnylau288@netvigator.com
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Re: 應否背曲? ( No.5 ) |
日期:2006/02/06 18:43 留言者:劉B
電郵:chimanjc@yahoo.com.hk
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sam 兄, 如 Sunny 兄 所言習唱日久自然要背曲為佳,很多歌友都會用丹田唱歌,不過很少人留意到下丹田運氣,中丹田運情,上丹田運神的演繹,如不能背曲,關目面容 造手俱難以發揮,站在台上看著曲本唱只如操曲,我情願闔上眼睛聽中西樂好過. |
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Re: 應否背曲? ( No.6 ) |
日期:2006/02/06 20:31 留言者:sam
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dear Sunny, I completely agree with you. I was talking about the amateur opera enthusiasts when discussing this topic. As for the rpofessionals I essentially have no argument with what you said. Except I guess for a professional who is engaged in short notice to sing a song that he or she is not used to sing. The choices then are not to take the job or to sing with lyrics in the hands. It is a bit much to ask them to learn the lyrics in a short time. Believe me i have seen Vcd in which some famous professionals just mouthing away the whole songs.!!!
As for '業餘習曲者初踏台板要顧曲演出,無可厚非'. I have stated my view on this. Do not perform in public until one is competent to sing.....in tune and timing, the basic requirements of singing.
dear 劉B 所言習唱日久自然要背曲為佳...agree ,很多歌友都會用丹田唱歌,不過很少人留意到下丹田運氣,中丹田運情,上丹田運神的演繹,如不能背曲,關目面容 造手俱難以發揮,站在台上看著曲本唱只如操曲,我情願闔上眼睛聽中西樂好過........i am a turncoat, i do not believe in such thing as 丹田. |
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